![lío lío](https://entrenamiento-total.com/wp-content/uploads/2016/10/15911859467_cdcafea168_k.jpg)
Running time: 130 MIN.At Pacha Group, 2021 has started with a bang, as we announce the opening of Lío in the beautiful Greek island of Mykonos. Reviewed at Toronto Film Festival (Special Presentations), Sept. Screenplay, Adamson, based on the novel by Lloyd Jones.Ĭamera (color), John Toon editor, Sim Evan-Jones music, Tim Finn, Harry Gregson-Williams production designer, Grant Major supervising art director, Jill Cormack set decorator, Megan Vertelle costume designer, Ngila Dickson sound, Mike Westgate, Fred Enholmer re-recording mixers, Mike Hedges, Gilbert Lake sound designer, Tim Prebble assistant director, Simon Ambridge casting, Nikki Barrett. Co-producers, Geoff Linville, Lloyd Jones. Executive producers, Tim Coddington, Timothy White, Dan Revers, James Dean, Julie Christie.
![lío lío](https://i.pinimg.com/736x/dd/73/ab/dd73ab68ad33c4ec52e82bd5411dad4c.jpg)
(International sales: Focus Features, Los Angeles.) Produced by Andrew Adamson, Robin Scholes, Leslie Urdang, Sean Vanech. presentation in association with Eyeworks Film of a Strange Weather production. Rather than resonating as epic and touching, however, these scenes muddle the point, and become tedious.Īn Olympus Pictures, New Zealand Film Commission, NZ on Air and Daydream Prods. Pip” doesn’t start going seriously awry until its second half, when things get more eventful in ways that are compacted from the novel yet seem more disconnected, with epilogues plodding several years forward. Still, the source material could have made for a better film. Uncomfortably, it also features a lone, seemingly hopeless white man who sacrifices on behalf of pidgin-speaking natives. Jones’ well-crafted but pat fiction is at heart a self-congratulatory story about the magic of storytelling, which uses slavish homage to a classic as a conceptual crutch. Watts, and everyone else caught between the warring factions. This has fateful consequences for her devout, narrow-minded mother (Healesville Joel), Mr. But her fascination with Dickens’ protagonist Pip creates a misunderstanding among soldiers, who think the villagers are hiding a rebel fugitive. Matilda finds that story so compelling that she thinks about its characters incessantly, imagining them on her own terms, as blacks in fanciful quasi-Victorian dress, in sequences that rep the script’s major (though not very effective) divergence from Lloyd Jones’ novel. He disarms the kids, primarily by leaning on “Great Expectations” as a text to read aloud and discuss. When he offers to serve as a replacement for the teacher whose evacuation had shuttered the school months ago, adults as well as children are dubious but curious. Watts ( Hugh Laurie), an eccentric figure known for wearing a clown nose as he pulls his apparently mad native wife (Florence Korokoro) grandly around in a shaded cart. Villages like the one in which teenage Matilda (Xzannjah) lives have lost many of their citizens - her father now works in Australia, and boys keep running off or being taken away to join the guerrilla forces. On the isle of Bougainville, circa 1990, protests over copper mining and its profits have led to war between mainland Papuan troops and local rebels hiding in the mountains.